The Boxer

She was peeling potatoes at the sink when she heard his key in the door and turned, startled, towards the clock.

“Home already?” she shouted.

“I knocked off early,” he said.

“Well your tea’s still going to be another…” She turned and saw his large frame filling the kitchen doorway. He was smiling proudly. In his arms was a bundle wrapped in a baby blanket. He held it out towards her.

“His name’s Colin,” he said. And the dog’s eyes lit up.

“It’s your favourite,” she replied “Shepherd’s pie”.

That was almost three weeks ago. And she’d tried. She really had. But Colin made it impossible. He left ginger hair all over the sofa. He pissed behind the TV and watched her with his big, innocent eyes when she knelt down to scrub the carpet.

“He needs disciplining,” she told him one night. “He hasn’t been brought up right”.

Bob just laughed and patted Colin’s head.

“He’s only little,” he said. “He’ll learn”.

But Bob didn’t understand what it took to keep a house nice. It had taken her years to perfect the colour scheme. And now, of all things, the bloody dog didn’t match the curtains.

They’d bought them with the money from Bob’s title win, back when they were newlyweds. She stood watching as he hung them one Sunday afternoon, hoisting up the thick, rich fabric; he wouldn’t hear of her helping in ‘her condition’. He fixed the matching pelmet carefully in place and diligently screwed in the hooks for the tie-backs. The results were spectacular. They’d been the envy of their neighbours.

Every evening when Bob came home from work, he’d drink a beer, sometimes she’d join him for a sherry, and he’d tell her about his day. But the ritual was different now. Instead of calling her name, he’d shout for Colin and they’d go out, just the two of them, for a walk on the heath to ‘work up an appetite’. It was there he’d met her.

“Valerie’s got a boxer too,” he said, through mouthfuls of toad-in-the-hole.

“The bathroom needs redecorating,” she said, stabbing a pea with her fork.

When they came back from the hospital, all those years ago, she’d drawn the curtains and sat staring at them until it grew dark. Eventually, Bob crept in and patted her hand. “We can try again, love,” he said. “There’ll be other chances”. She nodded slowly and stared at the curtains until the pattern of flowers and leaves became a blur.

The bathroom went untouched. Black mould grew between the tiles. No amount of scouring with a toothbrush could remove it. Night after night, he took Colin walking, returning in high spirits.

Colin chewed the leg on her occasional table.

“Valerie told me…”

He left scratch marks in the lino the length of the kitchen floor.

“I said I’d take her boys down the boxing gym…”

He sent a prized figurine careering to the ground where it shattered.

“Then me and Val thought we might grab a bite to eat…”

And still, the final straw: the dog did not match the curtains.

He’d never liked Lorenzo’s before. All that rich Italian food gave him heartburn. But he’d sharp changed his mind when Val said it was her favourite. Colin whimpered when he left without him.

“Daddy will be back soon,” Bob said, planting a kiss on his muzzle and a peck on her cheek. And then he was gone.

She plodded into the dining room and poured herself a sherry, the dog close at her heels. She took her drink and sat down to Coronation Street, but couldn’t settle. She rocked. She paced. She chewed her nails. Then she snatched up Colin and left the house.

She was nursing a cup of warm milk at the dining table when she heard his key in the door. She turned, wearily, towards the clock. “You’re home late,” she said.

“Colin! Here boy!” he said.

She turned and saw his large frame filling the doorway. He smelt of garlic and wine. A worried look crossed his face

“Where’s Colin?” he said warily.

“I think I’ll make lasagne for tea tomorrow,” she said brightly.

“Col!” he shouted “Colin! Colin?”

She sipped her tea and stared at the curtains.

By Laura Nee

The Next Big Thing

Last week, Kate Tough tagged me on her blog as part of a book and author chain called THE NEXT BIG THING. So now it’s my turn.

By day I work at Quietroom, by night I work on 26 projects and fall asleep on the sofa. You can read the answers to questions about my latest project below. I’ve also tagged five excellent writers, who’ll tell you about their work in a week’s time.

The Next Big Thing!

What’s the title of your project?
Throwaway Lines.

Where did the idea come from for the project?
It started with an abandoned handwritten letter I found on Blackfriars Bridge in 2009. This was the first of many throwaway handwritten scraps of paper I rescued from London’s streets.

I took this hoard of trash to 26, the writers’ collective, and they got involved. A stash of 26 stories, written by 26 writers, was published at throwawaylines.org.

Then things turned three-dimensional: Fifteen top London designers created frames for the scraps that inspired the stories, taking visual cues from the stories too. Rubbish become art. An exhibition is now running at the Free Word Centre until Monday 26th November, inclusive.

What genre does your project fall under?
A new one – ‘Litterature’ – a term coined by one of the editors and writers, the author Elise Valmorbida.

What actors would you choose to play the part of your characters in a movie rendition?
It would have to be a large throwaway cast: Anyone who wasn’t anyone. B-movie stars and low profile extras would be particularly welcome. It would have to be directed by the master of ensemble moviemaking, Robert Altman. I know he’s dead, but that shouldn’t be a problem.

What is the one sentence synopsis of your project?
A varied collection of sharp short stories inspired by scraps of handwritten rubbish, which in turn have inspired 15 contemporary works of art.

Will your project be self-published or represented by an agency?
This is a self-initiated project, but wouldn’t have happened without the initial support of John Simmons, the endorsement of 26, and the contribution of four great editors, over 30 brilliant writers and 15 fabulous designers. We’ve produced a short-run book of the event available on request as a hard copy or pdf. Just email me, Andy Hayes at andyinfinity@hotmail.com for details.

How long did it take the writers to create the first draft of their stories and the designers to develop concepts for their frames.
The writers were given 26 days and the framers had three weeks to come up with their initial ideas.

What other books would you compare the stories to within your genre?
Anything by Charles Bukowski: He was particularly good at noticing and writing about the discarded scraps of humanity left on the streets of West Hollywood.

Who or what inspired you to start this project?
Curiosity, Bukowski, and two other artists in particular: the singer/songwriter, Tom Waits, and the great Magnum photographer, Henri Cartier-Bresson. Like Bukowski, they’re curious about people, places and situations that pass most people by.

What else about your project might pique the reader’s interest?
The stories inspired by the scraps cover a huge range of subjects and emotions. There’s love, loss and laughter. False claims of rape leading to imprisonment for murder, and actual rape, gone unreported and only revealed years later on the victim’s deathbed. There’s chocolate, wet paint, jigsaw puzzles and a huge pulsing oversized package.

The works of art are fantastic, created by a brilliant bunch of designers.

Finally, you can still take part. My mucker, Malcolm Blythe, has a big plastic bag full of discarded dockets, lists and post-its just waiting to transform into stories. You can contact him here – malcolmblythe@mac.com – for more info.


Here are some hugely talented writers I’m fortunate to be connected with. I know them all through 26. You can join online at www.26.org.uk for a mere £26 per year. Their answers to the above questions will go live on their sites around 19th November 2012.

Neil Baker is a widely published writer of short stories and flash fictions. By day – and sometimes at night – he works as a journalist and business writer, helping people to share their ideas and tell their stories.
www.neilbaker.blogspot.co.uk

Martin Lee is currently deciding which of two fiction manuscripts to devote himself to – neither one has been accepted by publishers yet, but both have received enough encouragement for him to feel encouraged.

http://www.acacia-avenue.com

Nick Parker’s first collection of short stories, The Exploding Boy and Other Tiny Tales , came out last year. Several people nodded approvingly. The Guardian said it was ‘astonishing… proof that the short story remains a public good.’ Which was nice of them. By day, he’s creative director at The Writer.

http://www.theexplodingboy.com/


Mike Reed’s
been a copywriter for 20 years, starting out in ad agencies and now working freelance in the design and branding world. He also manages to produce the odd bit of personal writing, but not as much or as often as he’d like – something he’s actively trying to redress.
www.reedwords.co.uk

John Simmons has written a bookshelf of books about writing for business, as well as fiction, and he keeps writing at www.26fruits.co.uk/blog

 

From Litter to Litterature

29th October sees the launch of Throwaway Lines, From Litter to Litterature at the Free Word Centre in Clerkenwell.

You can find out all about it here: Free Word Online – and read the stories inspired by the scraps below…

Mr Freeman

April 2nd 2009

Dear Sir

I am writing to you to share my feelings of disappointment, disgust and loathing at your latest film, King of Justice, which I endured on its maiden screening last night. The script was passable. The production was of expected quality. However, there is one decision you made that may well humiliate the African film industry. You know the decision of which I speak. I cannot even begin to understand what you were trying to achieve.

The subject of your film required the utmost in respect. The figure portrayed is a man revered across this continent and across God’s globe. He is good and clean. You showed no respect, no reverence, and you should be punished accordingly.

I wish to never again see your name attached to a Nollywood film.

Sincerely

Mr D. Igbinedion

London, England

*     *     *

February 14th 2009

Dear Mr Oparison

I write to you to express my interest in acting in your film King of Justice, which promises to be another Nollywood blockbuster.

I have excellent experience within movie studios across Africa, from Lagos to Cape Town. This experience has predominantly been within the maintenance and repair side of the studio. However, I have heard and seen actors perform and liken myself to a young Desmond Dube, but with the gravitas of a young Anayo Modestus Onyekwere.

I am confident that I am right for the King of Justice. It would be my honour to portray my, and my family’s, hero.

Sincerely Yours

Mr James Jombo

 

February 16th 2009

Dear Mr Jombo

The role in King of Justice of which you speak is a cameo and it has already been cast. However, we thank you for your correspondence and wish you well in your future pursuits.

Yours

E. Oparison

Nollywood Movies Sky 329

 

February 16th 2009

Dear Hollywood

Greetings from the beautiful country of Nigeria in Africa.

African movies are becoming more popular year after year as Nollywood and Afroculture spreads around the world. Recent successes like One God One Nation have led to a surge in new investment. Interest in Nollywood Movies in the United Kingdom, for example, is soaring. It is because of this success and the opportunities it creates that I write to you.

We are soon to release a new movie in the UK on Sky 329 and we are looking for an actor to play a very important role. We wish to ask of your studio whether one of your biggest stars is available. The filming will last no longer than one week.

We would like to send you the full script for King of Justice.

Please confirm receipt of this correspondence and inform our studios whether the opportunity to be the first to cast King of Justice is agreeable with you.

Yours in Greatest Respect

Mr Emmanuel Oparison

Head, Nollywood Movies Sky 329

 

February 21st 2009

Dear Mr Oparison

Thank you very much for your kind and quick response. It was my pleasure to write to you. However, I still feel I could be ideal for the part of Nelson Mandela in your latest blockbuster, King of Justice. Please reconsider your casting.

I am available in the coming months to demonstrate my abilities. I hope you will afford me this opportunity.

Yours in Hope and Expectation

Mr James Jombo

 

March 2nd 2009

Dear Hollywood

Filming has now begun on King of Justice and, as yet, we have not cast an actor to play the most important role. Many leading actors in Nigeria, South Africa, Ghana and Cameroon have auditioned and impressed us. However, we are holding out for our dream actor from Hollywood Studios.

We enclose the full script. Please call when you have read it and we will discuss the terms for your actor.

The matter is fairly urgent.

Yours Humbly

Mr Emmanuel Oparison

Managing Director, Nollywood Movies Sky 329

 

March 9th 2009

Dear Hollywood

Please call immediately regarding the casting of King of Justice. The film will be screened on Sky 329 in less than four weeks.

My cell number is [removed]. We must arrange the flight and accommodation now.

Yours in Expectation

Emmanuel

Nollywood Movies Sky 329

 

March 13th 2009

Dear Mr Freeman

Your colleagues at Hollywood Studios have advised that we contact you directly regarding a role they consider a major opportunity for you to enhance your international acting career.

The film is called King of Justice and we would like you to play Nelson Mandela in the final climactic scene. The film covers both his early years as a political activist, his middle years on Robben Island and his later life as President. The final scene focuses on Mr Mandela as President, looking back. We see you as the perfect man for the role.

You may contact me at my home address.

You might also try my work address:

Mr E. Oparison

Nollywood Movies Sky 329

[Address removed]

My cell number is [removed]. My email address is [removed].

I admire you and your films.

Yours Sincerely

Mr E. Oparison

 

March 16th 2009

To: Emmanuel Oparison

Subject: Re: We need Freeman!

Mr Oparison

Regarding your message concerning Mr Freeman. I think it will be a mistake and could offend a lot of people. Not only is he ill-suited to the role but as yet he is not signed for the film.

We are nearly out of time. I would strongly advise you reconsider and recruit a local actor.

Yours sincerely

Tolu

 

March 23rd 2009

Mr Oparison

I find your lack of response bemusing. Please have the goodness in your heart to speak to me about how I convince you to cast me as Nelson Mandela.

Yours

Mr James Jombo

 

March 23rd 2009

To: Tolu

Subject: Re: Re: We need Freeman!

Tolu

You have the audacity to make these suggestions. You are employed as an editor and as nothing more. Know your place.

Mr Freeman arrives tomorrow and has kindly agreed to film for one day. Then he must return to Hollywood Studios, where he is very busy. I cannot be there to direct as Mr Abassi would like us to celebrate our seventh year of working together. However, Mr Freeman is a professional and I am sure will not require my guidance.

You will receive the film for editing this week. You have the full script. Edit accordingly.

Mr Oparison


March 25th 2009

Mr Jombo

You are right. I should give you the opportunity to take on the role of President Nelson Mandela in my big-budget blockbuster, King of Justice. I should take an enormous chance on you and your history in fixing toilets. I should rebuff Mr Martin Freeman and his keenness, inform him that he is not up to standards and employ you. You are clearly better suited to the role.

See you at auditions. (We have now finished filming.)

Do not write to me again.

Yours

Mr Oparison

Nollywood Movies Sky 329

 

March 27th 2009

To: Emmanuel Oparison

Subject: king of justice, cut

Mr Oparison

Please find enclosed a cut of King of Justice for your viewing. It is as you asked.

Yours

Tolu

 

March 27th 2009

To: Tolu

Subject: king of justice, cut

Tolu

I do not have time to review this. I trust that it is in order. Please send out immediately to our colleagues in London for screening next week.

Thank you.

E

 

April 3rd 2009

Dear Emmanuel

For seven years, I have considered you my first director. First because you are the man who comes first to my mind when I need a director who understands understatement, subtlety, nuance, character, emotion, strength, closeness, distance, love, heart, body, mind, feeling, life, death, culture, engagement, distance. Everything. First because for seven years you have placed yourself in pole position on a grid filled with some of Africa’s – and the world’s – finest directors. First because you have never let me down as a director and you have never let me down as a friend.

So why, dear Lord, why why why did you think it a good idea to celebrate one of the greatest achievements of one of South Africa’s greatest ever leaders, a man who has fought for the rights of black people everywhere, for Africa, a man who lived a life in prison for his political views, for his maverick thinking, for his love of his country, by casting Tim from The Office?

You have turned Nollywood Movies Sky 329 into a joke. You have turned the world’s media against us. We have been accused of a new form of racism. People now spit at me on the streets of Lagos. One man yesterday told me I have ruined his son’s life. His son is four years old.

I have no option but to terminate your contract with Nollywood Movies Sky 329.

Please never return to the studios. You no longer have friends here.

Yours

Mr Abassi

*     *     *

March 31st 2009

Dear Mr Oparison

Do you mean Morgan Freeman?

Yours

James Jombo

Cell: [removed]

by Rob Self-Pierson
@twintownman
www.twintownman.com

Big Fat Greek Easter

Our Moussaka looks like a marbled cowpat. The cheese sauce is watery, the aubergine is undercooked and the tomato sauce tastes odd. And neither of us knows why.

“Did you follow the recipe?” my sister asks.

“Yes, I followed the recipe,” I reply.

“Well why is it so salty?” she says and tastes it again. “And so… fishy?”

I snort a laugh. And then cry.

It’s our first Easter without Mum.

If you’re Greek, Easter is a big deal. It’s like Thanksgiving if you’re American or Christmas if you’re British: it’s all about food and family. Sure, Jesus gets a look in, but in the main, it’s more about meal times than the Messiah: almond biscuits, fluffy yellow brioche, and roasted lamb – rich, succulent, juicy lamb that makes your lips and fingers glisten. It’s soul food and it’s made to be shared with the people you love and without her, I don’t have the energy to cook. Mamma I miss you.

My Mum liked to eat. She liked it a lot. A lot, a lot. In her teens and twenties, her love of dancing hid her overindulgences. “See how thin I used to be?” she’d say pointing to the photo of her and my Dad that hangs in the lounge. “Your father could put his hands around my waist and his fingertips would touch. Touch.”

But four kids, and a love of second helpings, meant the scales never tipped in her favour again. And where there’s a large mother, you’ll find a large daughter. In fact, look back through generations of Therakelises and you will find a people whose self-restraint crumbles like feta whenever food is around.

But, if there was one thing my mum liked even more than eating, it was cooking.

My earliest memory is learning to make Dolmades with her. In Turkish Dolma means ‘stuffed thing’. She’d brush her hands down her faded lavender apron – it was always immaculately ironed. Then she’d spread out the young vine leaves on the table, careful not to tear them. They were as delicate as birds’ wings. Then I’d place a ball of rice, fresh dill, fried onion and pine nuts in the centre, and fold the leaves in around this tasty cargo.

We’d make dozens and dozens at a time and she’d pat down the top of each one with her fingertips when it was finished. Then she’d look at me as I stockpiled a few to eat later. “Ah! My little Dolma,” she’d say as she brushed my hair behind my ear. I was always a little on the greedy side, still am.

So since then, Dolma have always been my comfort food. I ate them as a child after school. As a teenager, I would devour them post-pub with a ripped bag of chips and a can of Coke. But over the last few months I can’t face them. I cannot stand the idea of making them, of going through the motions of one more thing, of pushing on with life.

I go to dry my eyes and pull out drawer after drawer searching for a tea towel, until I open one with a yellowed take-away menu in it. I start to read and the list of food is like an incantation, and I want to taste all of it: everything she ever cooked, or made for us or said she would love to eat again but never did.

I look at my sister, pick up the phone and dial the number. “Hello? I’d like to place an order. For delivery, please.”

by Clair Whitefield
@ClairWhitefield


You have an oversized package

 

 

 

 

 

 

 

It won’t fit through your letterbox ribs
Shall we try again another day?
Or can we leave it outside here:
Beating
Boldly
Like a bare bird perching
Roundly
Like a wet red pudding
Loudly
Like a soft cloth clock
Here
On the harsh mat
Where strangers tread
And free fliers fall
Until it stills
And shrinks—
A regular sized package at last—

by Elise Valmorbida

Special Bread?

This was the first time she would be visiting his place. The first time he would cook for her. A lot depended on it. He was hoping the last course would be intercourse…

She had long, fake-tanned legs. Her smile revealed near-perfect teeth: shiny-white and, like her legs, chemically enhanced. This would be their fourth date. She was due at eight and he had the whole day to prepare. He started by sorting out his flat and changing his sheets. His double bed was over a year old now, the springs still in perfect working order.

He went out and bought flowers, red ones to get her in the mood. All that was left to do now was to decide what to eat, and then find out how to make it.

He could cook and indeed he did cook, mostly oven-ready meals or toast. Pizza was a favourite as was Chinese take-away. He ordered so frequently they even knew his name. It made him feel special. Wanted. He in turn was investing in the local economy.

He decided on pasta. That looked easy and would impress her. It was Italian, fairly exotic, but not too challenging. He called his mum. She agreed. They settled on Spaghetti Bolognese. He had seen ‘Lady & The Tramp’ as a child, his first film, and imagined them slurping the long worm-like pasta together. Then, realising they had the same strand, kissing messily as their mouths met, his Ragu sauce dribbling slowly down her chin…

He looked up the menu online. Simple. Then went to his local Sainsbury’s to buy the ingredients, so far so good. He should entertain more often. It was fun. Perhaps, after tonight, he would? He decided to push the boat out and buy fresh pasta, not dried.

Bread was in the same aisle. Special bread: Garlic, Ciabatta, Focaccia and Naan. A sudden wave of anxiety swept over him. Everything had gone smoothly until this point. He was flummoxed. It should’ve been a simple decision but he just couldn’t make his mind up.

Firstly, was serving bread the right thing to do? He knew from Jamie Oliver that pasta was a carbohydrate, and bread was too. What if she was on a special diet? Fit sorts often were. Also, what if the two of them felt stuffed and couldn’t find any room for dessert? He didn’t want the evening to peak too soon. He had peaked too soon before, and he didn’t want that to happen again in a hurry.

Then, if he did buy bread, which one to choose? Garlic probably. You knew where you were with garlic. But did you really want to be there?

He stared at the bread. His mum hadn’t mentioned it. His mind went blank. He was a little boy lost. He regretted taking Woodwork instead of Home Economics. They all laughed at the soft lads who opted for cooking; but they all copped off while all he got was ‘D minus’ for a lop-sided shelving unit.

He paced up and down. Bought some wine; at least that was easy, red to go with the flowers. He went back to the special bread – the clock was ticking. Eventually, a kind old lady asked if he needed any help. “No thanks, luv,” he winked, “I’ll get there in the end.” She smiled knowingly and left him to his own devices. He walked one complete circuit of the whole store, then one more to clear his head. He passed the condoms, bought a pack of Performa (‘guaranteed to delay climax’), just in case his old batch had passed their expiry date.

She arrived. Her shiny smile blinded him. He blinked in the bright light. They drank and laughed. It was going well. He suggested they eat in half an hour. He made a quick call. A familiar voice answered, “The usual?” “Yes, but this time make it for two.”

Andy Hayes

 

Timer

I’ve set up the device. It’s in the kitchen, and when she comes back she’ll have the shock of her life. So I’m out of here, heading for the lake, driving as far away as I can. I want to fish, cook something slow over a simple fire, watch that trout turn pink.  Is this the easy way out?  You could say I was pushed to it. I’d tell anyone that. All that endless waiting, the let-downs, the disappointments.  She was never good with time, drives me mad. It crept up on me. Something endearing in her breathless rush to meet me. Made me feel special. Then our first trip. I was ten minutes early and she was ten minutes late. Too late. So Paris had gone away for us with the tail lights of the train. I ripped up those no-refund tickets and threw them over her like black confetti. Twisted reminder of another anniversary gone bad. if you want to know, what tipped me over the top was last night. Valentine’s. Came in to find iron-shaped scorch marks on two of my best shirts hanging over the chair. Then rooting around in the drawer for another one I found her hidey hole. The stack of overdue bills she’d not got round to paying. No time, she said. She always said. Then the meal. I’d bought her some of those flowers from the garage. The sort, the comedians said, that start wilting soon as you put them in water. Little buds just opening, dying before their prime, all pink and sad and dried up. I looked across at her, at her roots showing. Another hairdresser’s missed appointment. The chipped nails she’d not got round to grooming. What does she do in the evenings, when I’m out by the lake, waiting for the sweet tug on my line ? And then that familiar aroma, something burning in the pan, the disaster looming with the fizz of steam as water hits a burned-out pot. Oh, the sad demise of that fine rump steak, all hissing on that pan, the end sound of a day that always starts with the scrape of charcoal off toast.  In all the years I’ve been with her, six? seven? I’ve never had my steak rare. I miss the cut my mother cooked, perfectly timed. So I get to eat cereal again. Sushi when I’m at work. I stock up on raw food, chow it down on car journeys, keep a stash next to the fishing flies. You see, she never gets it right. She’s got to learn. I’m sitting by the lake now, watching the gentle open flow of the water and the ripples taking one-two-three seconds to reach the bank. I like the way the fly hits the water with barely a sound. I’ve all the time in the world here. I like that I can wait in peace, be patient. Not rushing back this time, she won’t be going anywhere. I’ve made a small fire, don’t know how long I’ll stay. There’s a cabin here. Reminds me of the one the Unabomber had. Saw a photo in an art gallery once. So I’ll cook my little fish and eat it just how I want. The flesh turning opaque, the eyes pearl like. Imagining the device just sitting there, waiting. Sun’s going down. By my watch her car will be entering the drive right now.  She’ll park up. Click, clack, the heels on the concrete. So she goes to put the key in the lock. I look at my second hand. Count down ten seconds more. Clip clop along the wooden hall, then the scuttling of her shoes kicked off, as she opens the door to the kitchen. She’ll see it before she hears anything. What she should have had years ago when she started to make me unhappy. Tick tock, tick tock. Ping. Precise as my old ma’s kitchen timer.

by Christine Finn

Liquid measures

I’m lying on my back in Finsbury Park. There were some people here a minute ago, but they’re gone now. I can’t remember what they wanted.

The sun’ll be up soon. A plane edges between the clouds. I want to flag it down, but my arms and legs feel heavy.

“I’ll get you the money,” I say, finally. “I love you.”

*

I took a tumble down an escalator once. It was Warren Street Station and, I have to say, a fucking long way down. I clattered into eight or nine steps during my descent, swearing as I hit each one.

Being drunk saved me, the doctor said. A sober man, instinctively stiffening or sticking out a hand to steady himself, might have broken every bone in his body. All I damaged was my dignity.

I take my seat at the bar.

“Guinness please, Ray.”

I came in here on the day I moved in. Fed up of unpacking boxes, I snuck out for a lager. Ray told me my drink was on the house. With those words, he imprinted himself – and the pub  – on my heart for life.

On match days, this place is full of football fans. Every other day, the clientele is made up entirely of dogs and alcoholics.

Ray pops my glass, two-thirds full, on the bar to settle.

Just the one, then home for a sandwich and a kip.

My phone rings in my pocket. I flick it onto silent.

*

The rain is tapping out a beat on the car roof. There’s a gentle slush as we plough through puddles. In the back, a little girl is singing.

Penelope Jane Archer. Lady Penelope. Four years young, and already top dog in every sphere of her life. She catches my eye in the mirror, half smiles and looks away. Even at her age, she’s worked out that she has to ration these moments.

We slept at my mum’s last night. I put Penny to bed in the box room, then headed straight out. I woke up on the sofa at five. Penny was up at seven.

I feel sick. I should have had that round of toast.

“Daddy?”

She’s leaning forward in her car seat, neck craned.

“I’ll be with you in one second, Pen,” I say. “Just let me get off this roundabout.”

I take the exit gingerly.

*

“Nottingham. Now that was a tumble.”

It’s 1.15pm. I’ve got a few pints on board and I’m warming to my theme.

“What happened in Nottingham?” asks Ray, placing another Guinness on the bar. Next to it, a whisky chaser.

“What happened in Nottingham, Raymond, was the greatest piss-up in recorded history.”

It was Matt James’ stag do. We were in the queue for a club. I’d had enough, so I was trying to sneak back to the hotel. Matty was having none of it. He tried to drag me back into the queue. We wrestled for a bit, then I made a run for it. I got about a hundred yards and then went arse over tit on some cobblestones.

“I’m alright, I’m alright,” I kept saying. I’d bitten through my tongue and my bottom lip. Someone put me in a cab, blood pissing from my face.

Matty had to call Laura the next day.

“Adam’s had a little accident,” he said, “But there’s nothing to worry about.”

*

The rain’s stopped. Penny and I are walking up the drive, hand in hand. My head is really thumping now. I want to lie face down in the front garden.

Penny’s first in, throwing her coat onto the floor.

“Your coat doesn’t live there, Penny.”

“Hang it up for me then,” she says brightly, half way to the TV already.

“Laura?” I yell.

I can just make out her muffled voice over the hum of the hair dryer.

“I’ll make a cup of tea,” I shout back, heading for the kitchen.

“Dad? Can I have some juice?”

“What’s the magic word?”

“Please.”

I need some painkillers.

*

The night Laura and I got engaged, we were hammered. The next morning, we had to check with each other that it had actually happened. We bought the rings in Greenwich that afternoon, afraid that the magic would wear off before our hangovers did.

“Adam?”

A voice from the pool table.

“Yeah?”

“You’re on.”

*

I’m in the kitchen, pouring myself two fingers of cooking brandy. I’m hoping it’s going to take the edge off.

Laura appears at the foot of the stairs, pulling on a cardigan. I knock my brandy back, drop the glass in the sink, and then turn to greet her.

“What are you doing, Adam?”

“Looking for the painkillers.”

She opens the cupboard above the microwave and passes me the Ibuprofen.

“Were you out last night?”

“I had a couple down the Stags.”

She knows I’m bullshitting, of course. She used to volunteer in a drop-in centre for smackheads. The nurse told her everyone lies about how much they’ve had. Drug addicts double the amount, drinkers halve it. After she told me that, I started dividing my beer intake by four to be on the safe side.

“You out tonight?”

“Don’t start.”

I open the cutlery drawer. It’s full of tea towels. I want to pull the whole drawer out and fling it at the wall.

“We need to have a chat about money, Adam.”

Oh, Christ. I pull my tea bag out with my fingers and drop it in the bin.

“I need to pay Lindsay,” she says. “By Friday.”

“Jesus, that came round quick. Well, pay her then.”

Lindsay’s the child minder. Her daughter’s in the same class as Penny at school.

“I paid her last month,” says Laura. “It’s your turn.”

“How much?” I ask. I know that I have two £20 notes in my wallet, which I borrowed from my mother before we left.

*

I’m weaving along Seven Sisters Road, past the unlikely parade of B&Bs that overlooks the park. I’ve just spent half an hour trying to open my front door, without success, so I’m heading back to the pub. I reckon I’ll make last orders if I get a wiggle on.

I fish my phone out of my coat pocket. Five missed calls. One Mum, four Laura.

Time to bite the bullet.

I hit ‘call back’, crossing the road towards the pub. But on the other side, in between me and the Stag’s Head, stands a gang of underfed teenagers. One particularly scrawny specimen breaks away from the group and heads over towards me.

“Oi, mate, have you got 80 pence?”

I pocket my phone, turn and start walking back the way I came.

*

“Laura, I can’t give it to you because I don’t have it.”

We’ve been over this twice already. Then, Penny’s at the kitchen door, all snot and tears. Laura and I look guiltily at each other.

“Daddy, this juice is stupid!”

My jaw hardens.

“Just drink it, Penny.”

“But it tastes funny.”

“Penny, you will have what you are given.”

Penny flinches. I feel instantly and utterly crushed.

“I’m sorry for shouting, sweetheart,” I say, crouching down.

I take the cup out of her hands. It did look a bit musty when I poured it out.

I take a sip. There’s a sharp sting at the back of my throat. I think I’m going to throw up.

It’s not squash. It’s vinegar.

*

I’m sat on a bench, surrounded by what’s left of my kebab. I have to talk to Laura but I can’t make my phone work. I’m on the point of taking it to pieces when I hear footsteps.

Shit. It’s Skeletor and his mates. I get up and start walking. But I’m heading away from the park gates. This isn’t good.

“Oi, mate.”

I speed up. Their footsteps quicken too.

“Oi, batty man. I’m talking to you.”

My heart’s pumping. Then, a cry from behind –

“Let’s do him.”

Time to sprint. But my legs tangle up beneath me. Suddenly, I’m face down on the Tarmac. I try to crawl away, but someone’s elbow digs into my neck. There are hands in my coat, in my jeans. I cry out, but it’s like my mouth is filled with cotton wool.

And then, something else. Another feeling. Something warm is spreading out from inside me. My fingers and toes start to tingle and my breathing slows.

The hands stop.

“He’s pissed himself,” one of the teenagers says. “That is fucking RANK.”

The kids are backing away now, forming a circle around me. One of them has my phone held up in front of his face. Jesus, he’s filming me. I push myself up onto my elbows, but then slump back down again.

They’re laughing. For a second, I think they’ve finished with me. But then, I hear one of them taking a run up. Something hard and cruel slams into the side of my head.

Once.

Twice.

And then – nothing.

by Rhys Williams
@rhyswilliams2

http://www.rhyswilliamsmusic.com

Blame Not the Outcast One

I brought great wealth and glory to my kingdom. Even the lowliest peasants took bounty from my purse. But when a pestilence ravaged the land, my people turned against me. I told them our curse had blown in upon a foreign wind and that it had chilled me also. But they poured their ire upon my head and blamed me for the misery that befell them.

They told me to repent of my greed and they fashioned a crown of paperclips and they stapled it to my scalp. They slashed my robes with scissors and they stripped me of my honour. They said my algorithm was witchcraft and denied knowledge of the glory it had brought them. And when I was dragged from my city to the black friar’s bridge, my acolytes knew me not. And when my person was cast into the water, they called upon the river to cleanse me of my sins, as if they had not sinned also.

But I have resources they cannot imagine. I fought the fetid current and I dragged my body to the muddy bank. I splayed myself under the sun, drenched in the slime of the river, and there I did restore my senses, and there I did hunker down to bide my time. I fished with tin cans and lived off scraps of river waste and the charity of sandpipers. And I waited for the day on which my luck, like the tide, would turn.

Anon came a vassal seeking my crown. He told me that my kingdom had been smashed and ground to dust, that my assets had been sullied and sold, but the storm had passed and it was time to build anew. Those who had once taken it upon themselves to judge me had been judged in turn. A higher authority had cast them unto the winds, as they did deserve. Those who remained had chosen this envoy to seek me out and to beseech my return, so that I might bring glory to them again.

What you say unto me is what I foresaw, I told him. You despoiled me then and now you beg me to come with you? Be gone from here.

Yet he beseeched me further. The journey to this place has been hard and I have suffered greatly, he said. His conveyances had been seized, his palace by the water taken from him also. If you return, he said unto me, we together can restore what never should have been destroyed. I am your true acolyte, your only heir. Let me fulfil the destiny that is mine alone.

I told him that he was a fool. That my crown was a crown of scabby jewels. That the blows I had received had left me scarred and made of me nothing. That my sole liquidity was the slurry of this river and the only bonds I held were owed to the sandpipers. But these lies would not induce him to relent.

If you will not build the kingdom with me, give me your algorithm, so that I may prove my worth, he said. And now I saw his purpose.

What do you know of my algorithm, I said unto him.

They say it gives the initiated a power to direct great fortune, such that it flows like this murky river to enrich whomsoever is chosen, he said. Let me wield it in your name. I will punish those who brought you to this pitiful state and restore your great treasury. And when I am done, your kingdom will be fit for your return.

But why would you do this for me, I enquired?

I do it not only for you but for myself also. For is it not just that I too should secure my portion? See, have I not learned your ways?

And I saw the taint of sickening venality in his eye and I heard the note of righteous entitlement in his voice, and I admired him for it. I will give this to you, I said. I see now that you are my heir indeed.

I unravelled the scarf I wore about my neck and upon which I had inscribed my algorithm. I held it aloft so that he might admire the runes and equations that marked its beauty, but not so close that he might divine their meaning. Take this, I said unto him, it is truly yours.

He gave me his thanks and he reached for the scarf. And when he did touch it with his trembling finger, I took my rod and blinded him. You are a false heir, I said. I will wait here a while more. And I cast him screaming into the oily water, and watched him float away with the current.

I returned to fishing the river scraps with my tin can, prepared to wait for a more suitable supplicant and, on the very next morning, saw one approaching.

So they have sent a bride to tempt me and to tend my wounds, I said unto her. The fools; they know nothing. But I let her approach nonetheless. She wore grey and her hair was tied back from her face. Her heels sank sharply into the mud and she stumbled as she came towards me, like a young thing learning to walk. I offered her not my hand. She stopped when within a stone’s throw.

May I approach you, she beseeched. What do you seek, child, I said unto her. I have come to heal you so that you may return to your kingdom, she said.

And what, pray tell, makes you believe your ministries shall succeed where others have failed?

She moved closer and I readied myself with a stone. Do you not recognise me, father, she asked? I could not but laugh. Father? You are no child of mine. Call me father again and you will feel the cold of this stone on your temple.

Come with me, she said, I will care for you.

You care not for me, I said. It is my crown and my algorithm that you covet.

She said that I was wrong, that we might build a new Albion.

I told her this was foolishness and I cast my stone. She fell to her knees.

She lay in the mud until the sun was low and the river kissed her feet. Then in the sky I saw something to behold. The stars flashed blue and blue again and the muddy banks were bathed in their light. Has a worthy seeker come unto me at last, I called out?

It was then I saw a banner of true knights clad in black. They wore boots of ebony and their suits were studded with silver fastenings. The voices of the invisible host crackled and fizzed in the air about them. I gathered a handful of my sharpest stones and rose to my feet.

Steadfast knights, I said unto them, is it for me that you are come? Approach no further and declare your intent. Seek you my crown? My algorithm.

One of them knelt beside the stricken girl child and placed a hand upon her forehead. He whispered a prayer into his breast and covered with an ashen blanket her body, but not her face.

He commanded me then to go unto him. I asked him his name but he answered me not. Yet I knew he was the one, and so I did walk towards him, a great joy in my heart. Now shall my kingdom be restored, I declared.

by Neil Baker
@neilbaker